| 000 | 01881cam a2200385 i 4500 | ||
|---|---|---|---|
| 001 | 18946220 | ||
| 003 | OSt | ||
| 005 | 20170113143205.0 | ||
| 008 | 160122s2016 ilua bk 001 0 eng c | ||
| 010 | _a 2016003055 | ||
| 020 | _a9780252040061 | ||
| 020 | _a9780252081552 | ||
| 040 |
_aIEN/DLC _beng _cIEN _erda _dDLC |
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| 042 | _apcc | ||
| 043 | _af-ke--- | ||
| 050 | 0 | 0 |
_aML3921.8.R36 _bN83 2016 |
| 082 | 0 | 4 |
_a782.421649112 _223 |
| 100 | 1 |
_aNtarangwi, Mwenda, _eauthor. _910087 |
|
| 245 | 1 | 4 |
_aThe street is my pulpit : _bhip hop and Christianity in Kenya / _cMwenda Ntarangwi. |
| 300 |
_axx, 180 pages : _billustrations ; _c23 cm |
||
| 490 | 1 | _aInterpretations of culture in the new millennium | |
| 504 | _aIncludes bibliographical references (pages 1161-176), discographies (page 159) and index. | ||
| 505 | 0 | _aIntersections, overlaps, and collaborations -- Cultural preferences, Christianity, and the street -- Hip hop's recasting of Christianity and gospel music in Kenya -- Kama si sisi nani? Juliani's gospel of self-empowerment -- Media and contested Christian identities -- Juliani: lyrical genius with a socially conscious message -- Conclusion: parallel but intersecting paths -- Appendix: Shops selling Juliani's exponential potential. | |
| 600 | 0 | 0 |
_aJuliani, _d1984- _941670 |
| 650 | 0 |
_aChristian rap (Music) _zKenya. _941671 |
|
| 650 | 0 |
_aChristianity _zKenya. _941672 |
|
| 650 | 0 |
_aMusic and youth _zKenya. _941673 |
|
| 650 | 0 |
_aYouth _zKenya _xSocial conditions _y21st century. _941674 |
|
| 650 | 0 |
_aRap musicians _zKenya. _941675 |
|
| 776 | 0 | 8 |
_iOnline version: _aNtarangwi, Mwenda, author. _tStreet is my pulpit _dUrbana : University of Illinois Press, 2016 _z9780252098260 _w(DLC) 2016005502 |
| 830 | 0 |
_aInterpretations of culture in the new millennium. _941676 |
|
| 906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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| 942 |
_2lcc _cBK |
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| 999 |
_c62943 _d62917 |
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