--Special features of the sung communication, by A. Lomax.--The study of ethno-aesthetics: the visual arts, by P. J. C. Dark.--The complementarity of statistics and feeling in the study of art, by A. W. Wolfe.--Seminole men's clothing, by W. C. Sturtevant.--The cultural context of creativity among Tiwi, by J. C. Goodale and J. D. Koss.--The present status of sculptural art among the tribes of the Ivory Coast, by H. Himmelheber.--Oral tradition and art history in the Sepik District, New Guinea, by D. Newton.

Includes bibliographies.

The induced natural context: an ethnographic folklore field technique, by K. S. Goldstein.--Hopi rabbit-hunt chants: a ritualized language, by R. A. Black.--Narrative analysis: oral versions of personal experience, by W. Labov and J. Waletzky.--Revitalized words from The parrot's egg, and The bull that crashes in the kraal: African cult sermons, by J. W. Fernandez.--Javanese clown and transvestite songs: some relations between primitive classification and communicative events, by J. L. Peacock.--Computers in the bush: tools for the automatic analysis of myths, by P. Maranda.--The cattle of the forest and the harvest of water: the cosmology of Finnish magic, by E. Köngäs Maranda.--Utopian rhetoric: conversion and conversation in a Japanese cult, by D. W. Plath.